Benjamin D. "Ben" Brantley (born October 26, 1954) is an American journalist and the chief theater critic of The New York Times. Read full biography of Ben Brantley →
It's nowhere near as intense as what I imagine an actor experiences backstage, but I feel a fluttering nervousness before a curtain goes up on a... →
The cliche was always that 'everybody's a critic,' but it becomes truer every day. Long before reviews appear in the traditional outlets... →
If you agree with a critic, you admire him or her. If you disagree, you despise them. We all feel a great need to be confirmed in our opinions.
I've seen plays that are, objectively, total messes that move me in ways that their tidier brethren do not. That's the romantic mystery of... →
I write the occasional entry for the 'Times' Theatre blog, especially when I'm in London and seeing two shows a day, but I don't... →
I have received hostile voice mail messages and e-mails. They are often anonymous, I'm sad to say, as anonymous messages are delivered only by... →
Whether you like it or not, a performance's triumphs and belly flops come to seem excruciatingly intimate, as if you were somehow partly... →
Cyndi Lauper knows how to work a crowd.
I personally read criticism - at least by writers I enjoy - to stimulate a conversation in my own mind, and I like to think that's the function I... →
The power of the print reviewer is one of those urban myths. There have always been shows that slipped under the critical radar to become popular... →
Theater criticism should be visceral, at least on some level, an articulation of that fierceness and passion. I usually do a fair amount of research... →