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In a way, 'Sin City''s designed to be paced somewhere between an American comic book and Japanese manga. Working in black and white, I... →
The noir hero is a knight in blood caked armor. He's dirty and he does his best to deny the fact that he's a hero the whole time.
When you have a brush in your hand, inking a beautiful woman is a lot like running your hands over her.
I think most things I read on the Internet and in newspapers are propaganda. Everyone from the 'New York Times' to Rupert Murdoch has a point... →
I grew up on the crime stuff. Spillane, Chandler, Jim Thompson, and noir movies like Fuller, Orson Welles, Fritz Lang. When I first showed up in New... →
I realized that I was about to turn 30, and Batman was permanently 29. And I was going to be damned if I was older than Batman.
I thought Daredevil was kind of cool because he couldn't do anything. I mean, he's blind. It wasn't that he could fly. His major power... →
'Occupy' is nothing but a pack of louts, thieves, and rapists, an unruly mob, fed by Woodstock-era nostalgia and putrid false righteousness.... →
I'm a comic book artist. So I think to myself, what do I like to draw? I like to draw hot chicks, fast cars and cool guys in trench coats. So... →
My feeling is that the hero has now been defined by phrases like the odious one that we were all raised with - crimes does not pay. Of course it... →
The comics I read as a kid were all about guys in tights. But here was a guy who wore a fedora. He fought crime like they did in Marvel and DC, but... →
In the comic-book world, there tends to be an overblown sense of tradition. Bad habits die hard. There are ways I think the form could work more... →
The larger-than-life thing is definitely what I'm after. I've always drawn dark stories. Occasionally, I'll try a perfect hero, but... →