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No drama, however great, is entirely independent of the stage on which it is given.
Back through the ages of barbarism and civilization, in all tongues, we find this instinctive pleasure in the imitative action that is the very... →
In all the great periods of the drama perfect freedom of choice and subject, perfect freedom of individual treatment, and an audience eager to give... →
In the best farce today we start with some absurd premise as to character or situation, but if the premises be once granted we move logically enough... →
We do not kill the drama, we do not really limit its appeal by failing to encourage the best in it; but we do thereby foster the weakest and poorest... →
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