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I'm interested in people who can take the movement somewhere.
I'm thrilled at the moment because our audiences, you know, they... the demographic is 50% male.
It's not a company of exponents of my style.
Mostly, I'm in the very enviable position that no one dictates what I do.
No one was creating and I always wanted to be created on.
Normally our season is seven weeks in the Drama Theatre and four weeks in the Opera Theater.
Sydney is a very good market for us - we have a very strong following here.
We also tour nationally and internationally.
We moved, and there was a golden era in the '40s when we were so conscious of who we were as Australians.
Yes, Carl Vine stuck around. He's now number one composer for choreography.
But I also wanted to give them an intelligent emotional journey, without having to suspend reality - to be able to look at those characters and see... →
For me it was really important to get the essence out of the music for the story and not, sort of, press the music into the service of the whimsical... →
I wanted to give people - which is fairly bizarre considering my whole life is contemporary dance really - I wanted to give people a really... →
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