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The French Revolution is the ultimate modernist statement. Destroy everything. Don't build on the past. There is no past.
Eighty percent of my pieces gravitate towards an A, as a tonal thing, not at the beginning, but somewhere in it.
I think it's good for the composer to teach because you always have new students and you have to begin at the beginning and make things clear.
Jazz is not the popular culture. Jazz is in the same position in our culture as classical music. A very small minority of people really love it.
You become a great composer when you win a Pulitzer. But I think that now it's a completely meaningless award.
I don't think that the Pulitzer should be given the way it is. I think the competition should be anonymous. I think completely different people... →
I always conceive a piece as a different set of challenges.
Art is not only about angst.
I have tremendous respect for film composers.
I think art can reflect tragedy.
I'm glad I won it because when I grew up the Pulitzer was the award that every composer wanted and I was like that too.
What I think of as style - and I've gotten to this over years of really thinking about it - is that style is the unconscious choices I make.
I find respect for a mediocre British composer, as opposed to a really good American, ridiculous because they automatically respect a composer if... →
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