Unfortunately, information about the author is unknown to us. But you can add it. Read full biography of Michael Mann →
I relate more to the fact that 80-inch plasma has just started to become ubiquitous and in people's homes the fairly decent 5.1 sound system and... →
I think it's easy for directors to stay fresh more than actors, especially once an actor becomes a star. It's hard for Russell Crowe to walk... →
I think the resolution involved in the high-def, Blu-ray image demands we pay attention to every detail to a level we've never seen before. The... →
There's a tired notion that the photojournalist has to be disengaged to be able to shoot what he shoots, and that's such a cliched idea of... →
Personally, I find looking at all of the supporting materials and bring it all back to me - the people I worked with, the experience of working on a... →
In 'The Insider,' I had violence - lethal, life-taking aggression - all happening psychologically, all with people talking to other people.
A 65-ft.-wide screen and 500 people reacting to the movie, there is nothing like that experience.
I like change. I don't like being in the same room for too long.
I've never made any film that I wouldn't go back and re-edit.
'Police Story' had some of the best writing on television, and one reason for that is because most of the scripts were based on real cases.
The best-kept secret about Don Johnson is the fact that he is a terrific actor.
Video looks like reality, it's more immediate, it has a verite surface to it. Film has this liquid kind of surface, feels like something made up.
Could I have worked under a system where there were Draconian controls on my creativity, meaning budget, time, script choices, etc.? Definitely not.... →
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