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People get to know me slowly and over the course of time. I'll probably still be a newcomer when I'm 60.
Personally, I'm not interested in getting more money for what I do; I'm just interested in more money being put into the production.
Since real spies are so good, you never really know what actual spying is. But I do think spying is a lot more dangerous than we are led to believe.
Small, slow growth is the best I expect from an investment. I'm a real saver: frugal - like my parents.
Some of the mail I've had has been weird. When I played Guy of Gisborne, a woman crocheted a mini-version of me.
Someone told me a woman bought a dog so she could take it to the same park where I go running, but I'm hoping that's rubbish.
Te Papa Museum is brilliant.
The interesting roles have only come since I got into my 30s. But I didn't know that was going to happen.
There's a very strong force in Tolkien's characters.
To survive in a profession like this, you have to have absolute discipline and commitment, and I did not quite have it for musical theater.
Tolkien made dwarf sign language because, you know, it's too loud to talk in the mines.
Whatever I lack in talent I have in stamina.
When I told my mom I was going to audition for 'The Hobbit,' she said, 'Well, you've always loved Tolkien.' And she was right.