Stephen Hunter (born March 25, 1946) is an American novelist, essayist, and Pulitzer Prize-winning film critic. Read full biography of Stephen Hunter →
By the '50s and '60s, war movies had become big and impersonal. They almost never bothered to characterize the Japanese enemy as particularly... →
I grew up in the suburbs among highly educated people, in a house crammed with books. It was a culture rich in ideas, stimulation, entertainment, and... →
Since I'm a story-oriented critic, sometimes it's difficult to discuss issues without defining them. At the same time, I try not to give away... →
The true mystery of the JFK assassination isn't 'How could the bullet go through two people with only slight damage?' but 'Why did... →
As long as 'Pearl Harbor' stays in the past, it's perfect; when it wretchedly changes gears in the late going, it becomes the wrong kind... →
In 'Beowulf,' director Robert Zemeckis uses a technique called 'motion capture' to conjure fantastical things, angles into action and... →
'New' movies are almost always hipper, faster, they mix genres aggressively, they smother their genre origins in new form, there are fewer of... →
I suppose I was formed by too many movies and too much television. At some point I absorbed the dramatic formula.
The squiggly rubber Davy Jones face in 'Pirates' with the tentacles, barnacles and goobers - that's modeled on me.
The horror movie will not go away. Look at the change in the Hollywood landscape as a signifier of its durability. At one point it was just one of... →
By my count, of the more than 600 English-language World War II movies made since 1940, only four have even acknowledged the humanity of the soldiers... →
I remember the early 1980s, when I first got one of these fabulous film critic jobs. The downside was sitting through 'Splatteria III: The... →
The Japanese, despite the trade deficit and their ability to build fabulous automobiles, still think that a guy in a monster suit is all that is... →