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For me, anything can be music! I can get huge enjoyment and be moved totally by the purity and perfection of some Renaissance polyphony, but equally... →
I like expansive stuff that has a lot of space in it, like some of the early Pink Floyd albums.
The realisation that, depending on where we changed from one note to the next in a melodic line, the music could subtly influence the entire meaning... →
With a lot of action scores, you're competing with a lot of noise. Say there's a big explosion: the music would conventionally have a lot of... →
Fear is one of those really primal emotions which you don't want to have incredibly exciting modulations and complex harmonies and all that kind... →
It's true, most of my days are spent alone in a dark room! I don't really want anyone to see me trying and failing to nail the 40th take of a... →
A lot of the music editing job is communication and working out what a director really wants the music to be.
Every one of us has a response of some kind to music, so I don't think it's fair to ever judge what is proper and what's not.
I worry about technical details - did I mix the cello half a decibel too high? Things like that.
In the mid-2000s, I kind of accidentally became a music editor.
I go into the whole composer thing quite open to keep on going and keep on trying different things because you never know... the next idea you have... →
My house was full of music. My main memories are of the record player at home: it was all Beatles and Rolling Stones, and we danced around the living... →
The great composers I worked with along the way, I always felt they were filmmakers more than composers. They would talk about the story rather than... →
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