When I'm up on stage, I don't think about anything except the song I'm singing. Anyway, the majority of my audience is female, and I... →
Louise Nurding
I'm trying to use people like Meredith Monk and Philip Glass and Terry Riley as the backing tracks for new pop songs. It's really hard trying... →
Autre Ne Veut
When you step out and do a song in a musical, the easier thing to do is make it funny. But when those transitions become necessary, when they... →
Kelli O'Hara
Michael came home and asked, Would you like to write a song with me? I got this idea for a title called A Kiss at the End of a Rainbow. So we had a... →
Annette O'Toole
I'm about to start working with a singer I met on my last trip: she'll get international exposure, and I'll have a song out in that... →
Paul Oakenfold
There's always a personal satisfaction in writing a song by yourself. You get the inspiration, and see it through, and you're done. It's... →
John Oates
When my song came on the radio for the first time, that was one of the heaviest things I remember.
It's always difficult to know if a song needs more than piano, and I worry about my tendency to go in a sparse direction.
Agnes Obel
With 'Philharmonics,' I had to do a lot of interviews, and it was like I was corrupting something. In many ways, I've said everything in... →
Pronouns really don't matter in a song - 'I' or 'he' or 'she' or even subscribing a lyric to an inanimate object.
Conor Oberst