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Whether you're writing a horror show or a James Bond film, I think what bubbles beneath is interesting characterization. The colors that emerge... →
The reason that I'm a writer today is because of Shakespeare and falling in love with Shakespeare when I was 8. That was through the movies... →
I grew up loving monsters. I'm just a total monster geek. When I was a kid, I had the Aurora monster models, and I would make them. I loved the... →
I grew up on the Bond movies. The first one I saw was 'Diamonds Are Forever,' when I was a kid. I just loved them to pieces.
I couldn't write a happy movie or romantic comedy to save my life. Yes, Noel Coward's an idol, but his plays are serious to me. 'Private... →
I enjoy all forms of writing, but playwrighting is what made me what I am. Not only working with the ghosts of Chekhov and Ibsen and Shakespeare, but... →
I'm a very private person, a very bookish person. The social world of Hollywood I know nothing about because I choose not to take part.
Cinema is a visual language, and you're always looking for visual metaphors for things. You know, if I was writing a play about Howard Hughes, I... →
Theater people say you are either a comedian or a tragedian, and I'm a tragedian. And the vexing, dark characters, the ones where I don't... →
I fell in love with Errol Flynn and Tyrone Power and Basil Rathbone and Hitchcock and Orson Welles and John Huston.
Young screenwriters are always very frustrated when they talk to me. They say, 'How do we get to be a screenwriter?' I say, 'You know... →
By the time I wrote 'Any Given Sunday' or 'Bats,' I sort of knew what my job was in terms of what a writer of dialogue does.
Everything about 'Hugo' to me is poignant, from the broken orphan to the old man losing his past to the fragility of film itself.
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