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I love novels, but I'm not a novelist. I'm just a dramatist, which means I write lines for actors. That's all I have ever wanted to do.
I'm not interested in characters who aren't broken. I'm not interested in happy people. It just doesn't draw me as a writer.
The themes, ideas and the characters from 'Skyfall' can obviously continue on, because it is a franchise, and it is an ongoing story.
We wanted 'Hugo' to be a cornucopia of cinema, a celebration of everything we do in movies.
When I started earning money from screen-writing, for a long time my only indulgences were books.
Working on 'Skyfall' was the most enjoyable experience I've ever had on a movie, ever.
Any adaptation - and I've done three in my career. I did 'Sweeney Todd' and 'Hugo' and 'Coriolanus.' It's important... →
'Coriolanus' has been around for 400 years, and it's going to be around for another 400 years, and nothing I can do is going to mess it... →
Honestly, not being evasive, but the great thing about Bond is that I have fifty years of movies - 23 movies and all the Ian Fleming novels and short... →
If you look at the muscularity of something like 'Wicked' and the way it has just spawned sort of generations of young people wanting to get... →
Personally speaking, growing up as a gay man before it was as socially acceptable as it is now, I knew what it was to feel different, to feel... →
Realistically, it's the great truism that screenwriters are fungible, that at the end of the day a studio is not going to want to fire a movie... →
The history of screenwriting - of what we do - is more than 100 years old. It's thousands of years old, going back to Sophocles and Euripedes. I... →