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If you take a Baroque commode and put a Baroque clock on top of it, maybe it is not so interesting as when you put a computer on top of it. Then you... →
Some years ago, I was invited to speak in Houston, Texas. They said I was a founder of 'postmodern theatre'. So I said to my office... →
The first year I was in New York, I met Martha Graham. She said, 'Well, Mr. Wilson, what do you want to do in life?' I was 21 years old, and... →
What was very interesting to me about Clementine Hunter's work is that she couldn't read or write, and she has recorded history of the... →
When I was 12 years old, I went to Natchitoches, La.; it was summer vacation with my family. We visited a plantation, Melrose. And I met an... →
I always thought of the English landscape as being English gardens.
There hasn't been a great romance in my life.
Actors always start with the voice and language. That's wrong. They should start with the body. The body is an actor's most important... →
As a very young man growing up in Texas, usually I got a shotgun or cowboy boots for Christmas.
Everything in Wagner's work - the music, the acting, the staging - stemmed from the text. Everything served to interpret the text.
I grew up in a town where there were no galleries, no museums, no theaters - a very religious, ultraconservative community.
I had no idea I was going to have a career in the theater. I did not plan it.
I learned loudness from working with Lou Reed.
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