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We're so afraid to lose the audience. Let the audience go.
When we look back at the Mayans or ancient Egypt, we look at their art.
When works get too intellectual, they lose their intensity.
When you're playing King Lear, you have to have a little humour, or you will have no tragedy when the king dies.
Counterpoint is difficult. I have been doing it since the beginning of my career. But it is not just taking any opposite. It is finding the right... →
I did a masterclass at the Juilliard and asked the students, 'Can you stand?' 'Sure.' 'Can you walk?' 'Sure.' They... →
I don't see anyone for the first hour and a half that I'm awake. I don't like to talk, and I don't like to hear any sounds. People... →
I don't see much difference between living and working. I think living is a part of my work. People often say, 'How can you work so... →
I had dinner with Marlene Dietrich in the early 1970s. I went to pick her up and she had someone with her, a dreadful man. He was writing a book... →
I met a 13-year-old black child, Raymond, who had never been to school and had never learnt any words, yet it seemed to me that he was intelligent.... →
I try to present something that is full of time. Not timeless, but full of time. I never like a work where we try to update it, but it's still... →
My tax dollar, which goes to New York State Council on the Arts, is by and large only spent to fund people from the state of New York! And you want... →
Yes, I've been in love, but I guess I'm too involved with myself and my work. I think I'm in love with my work, and I'm in love with... →