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Uncertainty is a very good thing: it's the beginning of an investigation, and the investigation should never end.
I am particularly interested in creating a relationship between ideas of reception in conceptual art and theater.
A child knows when they are on the receiving end of a didactic exercise, or when they are sitting in the shadow of something else.
'The Author' is a play about responsibility, how active we are as spectators and how responsible we are for what we choose to look at.
'The Author' is subtly unflinching in its satirical attack on certain practices in the creation of art and the mediation of violence.
Unease is not an emotion I get often in the theatre, and I like it.
Art is a subjective thing, and it should be a subjective thing. And the difficulty of subjectivity is that it becomes hugely problematized when you... →
Anything one can do to provoke and inspire an interest in the works of Shakespeare in a young audience is fair game. Anything.
As actors, we do our best to keep things light and to encourage in the audience an openness to the changing atoms in the room.
Each of my Shakespeare pieces is different to the other, but each espouses a set of philosophies common to all my theatre work.
I don't want real life necessarily to be seen only as a context to heighten the deepness my work.
I'm attracted to the underrated characters.
I'm excited about the idea of an act of theatre triggering a parallel creative act of writing.
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