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I'm on a mission to make people aware that I'm not a solo artist. I'm sometimes challenged by the branding of Tim Crouch.
In 'Malvolio,' the audience laugh at me, and I use that laughter to crack open the question as to why they are laughing.
It's important for me, politically, to see that theater isn't just about the powerful.
It's important to find characters that share sympathy with a young audience, not just in the story but their role in the world.
Keeping young people away from Shakespeare is like removing a link to their humanness.
'Malvolio' is the one show of mine that will not die. I've performed it more than 200 times all over the place.
Theatre can be so patronising. So often, it's just proselytising for the theatre.
Theatre critics have no special access to the truth. And there should be no objective truth to art.
There is a satire that exists in 'My Arm,' but there is also an honoring of some of the stronger ideas that I've raided from visual art.
To have a sense of contemporary ownership of Shakespeare is the most important thing to his work.
A mental shutdown can happen when a young person is put in front of a Shakespeare play. My pieces are designed to release young audiences into the... →
Children and teenagers don't easily relate to stories about kings and dukes, and to tell only stories about kings and dukes is to ignore the... →
'I, Malvolio' is a very, very funny show, a clown show, but there is Beckettian darkness in the character. Some real darkness, some right... →
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